In The Washington Post, Robert Goolrick calls it "eloquent and moving, written with precision and clarity to stave off loss — the loss of history, of art, of humanity."
In O, The Oprah Magazine, Taylor Antrim calls it "masterful and compassionate."
In the Los Angeles Times, Scott Martelle says it displays a "subtle brilliance."
In the Dallas Morning News, Alex Lemon calls it "stunning," and "deeply moving and panoramic."
In the Seattle Times, Moira Macdonald, says it's "the sort of book you race through then read again more slowly, savoring each voice."
In the Fredericksburg Free Lance-Star, Drew Gallagher says it "should prove to be one of the best books of the summer season."
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